On Me, My Guitar and the Blues, Chris Thomas King ventures out into eclectic musical territories. King sings and plays all the instruments on his first disc for the Blind Pig label. Recorded in New Orleans, this release retains some of those Crescent City funk influences while "Superstitious Blues," "Gambling Woman," and Robert Johnsons' "Stones in My Passway" are gritty acoustic delta blues. However, the majority of this release finds King reaching for a broader more popular approach that will likely turn off blues purists. "Born Under a Bad Sign" injects hip-hop into this blues classic, "You Are My Heaven" is comparable to the soul sound of Robert Cray, while the synth laden "Stay Just As You Are" would be the obvious pick for crossover radio play specifically going after a more mainstream pop audience.| 1 | | Why Blues | King | 3:23 | ||
| 2 | | Like Father, Like Son | King | 4:43 | ||
| 3 | | Superstitous Blues | King | 3:56 | ||
| 4 | | Cain | King | 3:23 | ||
| 5 | | Stay Just as You Are | King | 4:32 | ||
| 6 | | Born Under a Bad Sign | Bell, Jones | 3:51 | ||
| 7 | | Gambling Woman | King | 2:35 | ||
| 8 | | Me, My Guitar and the Blues | King | 3:16 | ||
| 9 | | Bourbon Street Blues | King | 3:55 | ||
| 10 | | Stones in My Passway | Johnson | 3:46 | ||
| 11 | | You Are My Heaven | King | 4:59 |
¡Aquí!
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