On the
The Covers Record,
Chan Marshall continues her evolution into a remarkably expressive interpreter of songs; her earlier covers of
Pavement's "We Dance" and
Smog's "Bathysphere" are among her most distinctive performances. This collection includes songs originally by
Bob Dylan,
the Rolling Stones,
the Velvet Underground,
Moby Grape,
Michael Hurley, and Anonymous.
Marshall's sparest album yet,
The Covers Record uses guitar and piano as the only foils for her malleable, emotional voice. These tools are more than enough to turn
the Stones' anthem "(I Can't Get No) Satisfaction" into a bluesy, slinky version emphasizing the song's tension and frustration as much as its jaded sexiness, and "Kingston Town" from a reggae standard into a hymnal reflection.
Marshall's gentle version of
Hurley's "Sweedeedee" and plaintive reading of
the Velvets' "I Found a Reason" recall the quietest, most spiritual moments from
Moon Pix. This culminates on the cover of her own "In This Hole" from
What Would the Community Think; one of the most drastic revisions, its soft pianos and serene vocals replace the original's turbulent anguish, reflecting her changing musical path.
Marshall explores many emotional directions, from her yearning version of
Moby Grape's "Naked If I Want To" to her brooding sensuality on "Wild Is the Wind," to her down-home optimism on
Bob Dylan's "Paths of Victory." "Salty Dog"'s lilting melody and humorous lyrics bring out
Marshall's Georgia twang, while her version of
Smog's "Red Apples" shows off her voice's sensual lows and keening highs. The joyous cover of "Sea of Love" (originally by
Phil Phillips) brings this accomplished, heartfelt
Covers Record to a very happy end.
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