
When the first UNKLE full-length dropped in 1998, some electronica fans were hoping that the supergroup featuring Mo' Wax founder
James Lavelle and production wunderkind
DJ Shadow would become to electronic music what
Radiohead had become to rock: an act with commercial clout, artistic importance, and the rapt attention of music critics everywhere.
Psyence Fiction instead engaged only a small coterie of curious listeners interested in the concept of epic trip-hop -- or the parade of star collaborations. UNKLE full-length number two,
Never, Never, Land, finds
James Lavelle with a new conspirator, singer/songwriter
Richard File, a talented writer whose blasted yet sweet vocals unfortunately recall
Dirty Vegas as much as
Thom Yorke.
Lavelle's vision for music is still in wide focus, replete with sweeping strings, driving breakbeat passages, and tender balladry (from
File) as well as raging, angsty metal (from guest vocalist
Josh Homme of
Queens of the Stone Age).
Massive Attack's
3D gets another chance to excoriate Blair and Bush on "Invasion," while
Ian Brown shambles through another guest appearance on "Reign."
Lavelle's interests and themes haven't changed drastically from
Psyence Fiction, and with fewer star guests (anonymous contributions from
Jarvis Cocker,
Brian Eno, and
Graham Gouldman notwithstanding),
Never, Never, Land is a work of intense drama but little importance. [The U.S. release, which followed a year after the British, included two bonus-track remixes.]
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