In 1981, the group issued Thirst, which abandoned R&B accoutrements in favor of edgy, abrasive electronic noise. Following its release, all of Clock DVA except Newton defected to form Box; after assembling a new lineup of saxophonist Paul Browse, future Siouxsie and the Banshees guitarist John Carruthers, bassist Dean Dennis and drummer Nick Sanderson, Newton wrangled a major-label deal with Polydor, and Clock DVA soon resurfaced with 1983's Advantage, an intense montage of dance beats, piercing feedback and jarring tape manipulations. However, Carruthers and Sanderson both exited following the LP's release; after a brief attempt to forge on as a trio, Clock DVA disbanded in late 1983.
Newton subsequently turned his focus to the Anti Group, an industrial jazz and visual arts project created in tandem with engineer Robert Baker; after a series of singles, he reformed Clock DVA in 1988 with Browse and Dennis, releasing the sample-fueled 1988 EPs The Hacker and The Act, as well as 1990's full-length Buried Dreams, on the Wax/Trax label. By 1991's Transitional Voices, Newton's Anti Group partner Baker had replaced Browse; Dennis departed soon after, leaving the remaining duo to record a staggeringly prolific amount of material including 1992's Man-Amplified, 1993's Sign, Black Words on White Paper and Virtual Reality Handbook, 1994's 150 Erotic Calibrations and 1995's Anterior.
1991 - Man-Amplified
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