
All tracks recorded during The Lanzarote Music Festival, December 1989
1 My Room 7:16
2 Too Many Yesterdays 4:38
3 Just Good Friends 10:07
4 Mirror Images 10:32
5 Time To Burn 11:23
6 Untitled 8:54
7 Stranger 6:14
8 Where The Actors Go 5:16
¡Aquí!

This is Nanci Griffith's fourth and final release on Rounder Records' folk subsidiary, Philo. At the time Griffith relocated to Nashville, TN, her decidedly Texan sense of musicality had already begun developing subtle hues of Appalachia as well as the cosmopolitan country that would inform her mid- to late-'80s stint on MCA. However, it is the overwhelming strength and conviction in the singer/songwriter's original material on The Last of the True Believers that remain indelibly impressed upon enthusiasts and critics alike. As such, Griffith has retained a copious sampling from the disc in her subsequent live performance repertoire. Griffith's crystalline vocals are well matched to the warm, earthy acoustic instrumentation on the intimate "More Than a Whisper" and "The Wing and the Wheel." At times, the delicate interplay creates a mutual envelopment of the human vocal instrument with that of the stringed nature -- most notably on the heartfelt "Love at the Five and Dime." By way of contrast, Griffith defies her somewhat introverted image on the tongue-in-cheek (no pun!) love song "Looking for the Time (Workin' Girl)" and the effervescent waltz "Love's Found a Shoulder." Lying nestled between are spry melodies such as "Banks of the Pontchartrain," featuring some nice picking from Béla Fleck (banjo), and "Goin' Gone," which perfectly captures some of Lloyd Green's finest pedal steel work on the disc. Griffith's pure and otherwise unaffected performance style would continue to carry through her subsequent efforts, most notably Lone Star State of Mind (1987), which in many ways is a companion, rather than simply the follow-up, to The Last of the True Believers.
Longtime fans of Peter Hammill know that his recorded output is very unpredictable. He's released some of the finest albums in thinking-man's rock (1973's Chameleon in the Shadow of the Night, 1986's And Close as This, etc.), as well as a few that were directionless and/or self-indulgent (1983's Loops & Reels, 1988's In a Foreign Town, etc.). In the early '90s, Hammill fans' patience was tested by a string of ineffective albums (Roaring Forties and others), and they feared that Hammill would never return to the quality of his past triumphs. So they must have been relieved when Hammill released one of his best and most consistent albums ever, X My Heart, in 1996. It features one of his most beautiful ballads, "Earthbound," which features heartfelt vocals and a gorgeous string accompaniment. "Narcissus (Bar & Grill)" will delight fans with its classic Hammill style, while "A Better Time" shows that he's one of the more underrated vocalists in rock music today. Definitely one of his finest, and a good place to start for newcomers to the unpredictable and challenging world of Peter Hammill.
Abuela Coca, grupo musical uruguayo de rock latino iniciado en 1992 por Alfredo Gianotti, el "Chole", (voz y guitarra) junto a los músicos Cacho Rodríguez (percusión), Javier Bonga (saxo) y Omar Santiago (bajo). Se caracteriza por un estilo musical que fusiona rock, reggae, rap y ritmos afro-latinos, entre otros.
| 1 | | The Stars of Track and Field | 4:48 | |||
| | | 2 | | Seeing Other People | 3:48 | |
| 3 | | Me and the Major | 3:51 | |||
| | 4 | | Like Dylan in the Movies | 4:14 | ||
| | | 5 | | The Fox in the Snow | 4:11 | |
| | | 6 | | Get Me Away from Here, I'm Dying | 3:25 | |
| | 7 | | If You're Feeling Sinister | 5:21 | ||
| 8 | | Mayfly | 3:42 | |||
| | 9 | | The Boy Done Wrong Again | 4:17 | ||
| 10 | | Judy and the Dream of Horses | 3:40 |
| | 1 | | Science Friction | Partridge | 3:14 | |
| | 2 | | Statue of Liberty | Partridge | 2:52 | |
| | 3 | | This Is Pop? | Partridge | 2:40 | |
| | 4 | | Are You Receiving Me? | Partridge | 3:04 | |
| | | 5 | | Life Begins at the Hop | Moulding | 3:47 |
| | | 6 | | Making Plans for Nigel | Moulding | 4:12 |
| | 7 | | Ten Feet Tall | Moulding | 3:13 | |
| 8 | | Wait Till Your Boat Goes Down | Partridge | 4:20 | ||
| | | 9 | | Generals and Majors | Moulding | 3:41 |
| | 10 | | Towers of London | Partridge | 4:38 | |
| | 11 | | Sgt. Rock (Is Going to Help Me) | Partridge | 3:36 | |
| | 12 | | Love at First Sight | Moulding | 3:07 | |
| | | 13 | | Respectable Street | Partridge | 3:07 |
| | | 14 | | Senses Working Overtime | Partridge | 4:34 |
| | 15 | | Ball and Chain | Moulding | 4:29 | |
| | 16 | | No Thugs in Our House | Partridge | 5:10 | |
| | | 17 | | Great Fire | Partridge | 3:50 |
| 18 | | Wonderland | Moulding | 4:15 | ||
| | | 19 | | Love on a Farmboy's Wages | Partridge | 3:59 |
| | | 20 | | All You Pretty Girls | Partridge | 3:59 |
| | 21 | | This World Over | Partridge | 4:45 | |
| 22 | | Wake Up | Moulding | 3:40 | ||
| | 23 | | Grass | Moulding | 2:42 | |
| 24 | | The Meeting Place | Moulding | 3:13 | ||
| | | 25 | | Dear God | Partridge | 3:37 |
| | | 26 | | The Mayor of Simpleton | Partridge | 3:57 |
| | 27 | | King for a Day | Moulding | 3:36 | |
| 28 | | The Loving | Partridge | 3:54 | ||
| 29 | | The Disappointed | Partridge | 3:38 | ||
| | 30 | | The Ballad of Peter Pumpkinhead | Partridge | 5:03 | |
| | 31 | | Wrapped in Grey | Partridge | 3:46 |