Mostrando entradas con la etiqueta Dance-Pop. Mostrar todas las entradas
Mostrando entradas con la etiqueta Dance-Pop. Mostrar todas las entradas

jueves, 24 de septiembre de 2009

Deee-Lite - 1990 - World Clique

Its reputation may rest on only one hit single -- but what a hit. "Groove Is in the Heart" defined the summer of 1990 on radio and MTV with its delicious combination of funk, modern dance sheen, and Lady Miss Kier's smart, sharp diva ways. Add in guest vocals and bass from Bootsy Collins (a pity his hilarious video cameo wasn't represented here), brass from the original Horny Horns duo of Fred Wesley and Maceo Parker, and a smooth mid-song rap from A Tribe Called Quest's Q-Tip, and the results sounded good then and now. The rest of World Clique offers variations on the song's theme, with Kier's sweet, light vocals and DJs Dimitri and Towa Tei making it work in various ways. It's still a bit surprising that Kier didn't go on to greater fame on her own, because she definitely has not merely the pipes but the personality to carry something on her own -- compared to the dog-whistle vocal calisthenics of someone like Mariah Carey, there's no contest. Check out her work on songs like "Good Beat" and the amusing sass of such numbers as "Try Me on, I'm Very You." The two musicians come up with a seamless, adept flow throughout, merrily raiding whatever they so choose in the past for their own purposes. Disco is the heart of it all, with everything from hip-hop breaks to bubble-salsa piano -- even early Depeche Mode! -- taking a bow; hints of the future genre-mashing Towa Tei would make his own trademark are already plentiful. Bootsy and the Horny Horns crop up at other points as well, adding just enough classic funk to blend with the crisper electronic pulses and arrangements.


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lunes, 14 de septiembre de 2009

M People - 1997 - Fresco

M People spent a considerable amount of time on Fresco, the group's fourth album, crafting a record that would break them out of the Europop straitjacket and establish them as an international dance-pop act. In other words, Fresco is less a club album than it is a radio record, filled with carefully constructed songs with strong rhythms, sturdy hooks, and pop-soul melodies. Too bad that much of the record simply isn't as memorable. Sure, there are several potential singles with naggingly catchy melodies and the entire production is appealingly glossy and accessible, but the songs simply aren't there and neither is the charming, unashamed brashness of their early work. A few songs -- the garage techno of "Angel St.," the catchy house of "Fantasy Island" and the sweeping orchestrated pop of "Just for You" -- make the album worthwhile, but on the whole Fresco is a distressing step backward for a group that had yet to make a false move.


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miércoles, 9 de septiembre de 2009

Spears, Britney - 1999 - Baby One More Time

At the beginning of the '90s, teen currency shifted from bubblegum'n'Tiger Beat to grunge'n'Maximum Rock & Roll. Although it may have been pushed from the spotlight, teen pop hadn't died — it, in a way, went underground, spending time on the fringes of pop culture. One of the leading lights of the exiled teen brigade was The New Mickey Mouse Club. For several years, it toiled away on the Disney Network, earning a small fan base — but, more importantly, providing a launchpad for several careers, including that of Britney Spears. Like her fellow NMMC alumni *N Sync, Spears shot to stardom in the late '90s, just as she was on the verge of late adolescence. By that time, everything old was new again. Albums like her debut, ...Baby One More Time, were topping the charts as if they were Hangin' Tough, which is only appropriate since it sounded as if it could have been cut in 1989, not 1999. ...Baby One More Time has the same blend of infectious, rap-inflected dance-pop and smooth balladry that propelled the New Kids and Debbie Gibson, due to the Backstreet Boys' producer, Max Martin, who is also the mastermind behind Spears' debut. He has a knack for catchy hooks, endearing melodies, and engaging Euro-dance rhythms, all of which are best heard on the hits: the ingenious title track, "Sometimes," "(You Drive Me) Crazy," and the utterly delightful, bubblegum-ragga album track "Soda Pop." Like many teen pop albums, ...Baby One More Time has its share of well-crafted filler, but the singles, combined with Britney's burgeoning charisma, make this a pretty great piece of fluff.


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lunes, 13 de julio de 2009

Simply Red

The British soul-pop band Simply Red were formed in 1984 by singer Mick "Red" Hucknall (born Michael James Hucknall, June 8, 1960, Manchester, England) with three ex-members of Durutti Column -- bassist Tony Bowers (born October 31, 1952), drummer Chris Joyce (born October 11, 1957, Manchester, England), and keyboardist/brass player Tim Kellett (born July 23, 1964, Knaresborough, England) -- plus guitarist Sylvan Richardson and keyboardist Fritz McIntyre (born September 2, 1956, Birmingham, England).

The group signed to Elektra Records and released Picture Book (October 1985), which featured "Money's Too Tight (To Mention)," a Top 40 cover of a 1982 R&B chart single by the Valentine Brothers, and "Holding Back the Years," a Hucknall original that topped the U.S. charts. The single caused the album to go platinum, and made the group one of the major successes of 1986. Men and Women (March 1987), which featured two collaborations between Hucknall and soul songwriter Lamont Dozier, was less popular, though it generated the Top 40 hit "The Right Thing." (In the U.K., "Infidelity" and a cover of Cole Porter's "Ev'ry Time We Say Goodbye" also made the Top 40.) Richardson left in 1987 and was replaced by guitarist Aziz Ibrahim, who was replaced by Heitor T.P. (born in Brazil). The third album, A New Flame (February 1989), went gold due to the cover of the 1972 Harold Melvin & the Blue Notes hit "If You Don't Know Me by Now" that hit number one and became a gold single. (In the U.K., "It's Only Love" and "A New Flame" also made the Top 40.)

By the time of the fourth album, Stars (September 1991), Bowers and Joyce had left, with Shaun Ward joining on bass and Gota on drums, and saxophonist Ian Kirkham had become a permanent member. Stars was a relative commercial disappointment in the U.S. (though it spawned Top 40 hits in "Something Got Me Started" and "Stars" and eventually went gold), but it became a major success elsewhere, especially in the U.K., where it was the best-selling album of 1991, topped the charts for 19 weeks, and spawned the Top Ten hits "Stars" and "For Your Babies" and the Top 40 hits "Something Got Me Started," "Thrill Me," and "Your Mirror." Worldwide, it had sold eight and a half million copies by the second quarter of 1993.

Ward and Gota were gone by the release of Simply Red's fifth album, Life (October 1995), leaving a lineup of Hucknall, McIntyre, Heitor T.P., Kirkham, and backup singer Dee Johnson. The album again proved more of a success at home than in America, topping charts all over Europe, as did its leadoff single, "Fairground," while spending only three months in the U.S. charts. Blue followed in May 1998. It topped the British charts and spawned Top Ten hits in "Say You Love Me" and a cover of the Hollies' "The Air That I Breathe" at home, but was a negligible seller in the U.S. In November 1999, Simply Red issued Love and the Russian Winter, which reached the U.K. Top Ten, with the single "Ain't That a Lot of Love" (a cover of a Sam & Dave song) hitting the Top 20.

After establishing the simplyred.com label, the band released Home in April 2003. It reached number two in the U.K., with the singles "Sunrise" and a cover of the Stylistics' "You Make Me Feel Brand New" becoming Top Ten hits. Two years later came Simplified, a collection of old and new songs that hit number three in Britain and number two in the Eurochart. Another two-year absence followed before the notable Stay in April 2007. It hit number four in the U.K. and number two in the Eurochart. By the time of its release, the lineup of Simply Red consisted of Hucknall, Kirkham, Sarah Brown (background vocals), David Clayton (keyboards), Peter Lewinson (drums), Steve Lewinson (bass), Kevin Robinson (trumpet), and Kenji Suzuki (guitar).

1985 - Picture Book

Simply Red - 1985 - Picture Book

The band finds a steady R&B groove reminiscent of '60s Stax house band the MG's, and, as with the MG's, it's all in the service of a big-voiced soul singer, in this case a British redhead. Features the U.S. number-one "Holding Back the Years" and the U.K. Top 20 "Money's Too Tight (To Mention)."


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