Mostrando entradas con la etiqueta Cat Power. Mostrar todas las entradas
Mostrando entradas con la etiqueta Cat Power. Mostrar todas las entradas

lunes, 3 de agosto de 2009

Cat Power

Cat Power was the alias of Chan Marshall, a Southern-bred singer/songwriter whose father, Charlie, was an itinerant pianist. After dropping out of high school, Marshall found herself in New York; performing under the name Cat Power, she was booked as the opening act for Liz Phair, where she met Sonic Youth drummer Steve Shelley and Two Dollar Guitar's Tim Foljahn, who agreed to become her backing band. Following the release of 1995's Dear Sir and 1996's Myra Lee -- both recorded on the same day -- Cat Power signed to Matador for 1996's What Would the Community Think?, which won acclaim for Marshall's unsettling, emotional songs and cathartic vocals.

The superb Moon Pix followed two years later, and in the spring of 2000 Cat Power resurfaced with The Covers Record. Released in 2003, You Are Free featured a lusher, more polished sound as well as cameos by Dave Grohl and Eddie Vedder; 2006's The Greatest was recorded in Memphis, TN, with legendary soul players including guitarist/songwriter Mabon "Teenie" Hodges, bassist Leroy "Flick" Hodges, and drummer Steve Potts. Another set of covers, Jukebox, was released two years later.

2000 - The Covers Record

Cat Power - 2000 - The Covers Record

On the The Covers Record, Chan Marshall continues her evolution into a remarkably expressive interpreter of songs; her earlier covers of Pavement's "We Dance" and Smog's "Bathysphere" are among her most distinctive performances. This collection includes songs originally by Bob Dylan, the Rolling Stones, the Velvet Underground, Moby Grape, Michael Hurley, and Anonymous. Marshall's sparest album yet, The Covers Record uses guitar and piano as the only foils for her malleable, emotional voice. These tools are more than enough to turn the Stones' anthem "(I Can't Get No) Satisfaction" into a bluesy, slinky version emphasizing the song's tension and frustration as much as its jaded sexiness, and "Kingston Town" from a reggae standard into a hymnal reflection. Marshall's gentle version of Hurley's "Sweedeedee" and plaintive reading of the Velvets' "I Found a Reason" recall the quietest, most spiritual moments from Moon Pix. This culminates on the cover of her own "In This Hole" from What Would the Community Think; one of the most drastic revisions, its soft pianos and serene vocals replace the original's turbulent anguish, reflecting her changing musical path. Marshall explores many emotional directions, from her yearning version of Moby Grape's "Naked If I Want To" to her brooding sensuality on "Wild Is the Wind," to her down-home optimism on Bob Dylan's "Paths of Victory." "Salty Dog"'s lilting melody and humorous lyrics bring out Marshall's Georgia twang, while her version of Smog's "Red Apples" shows off her voice's sensual lows and keening highs. The joyous cover of "Sea of Love" (originally by Phil Phillips) brings this accomplished, heartfelt Covers Record to a very happy end.


¡Aquí!