Björk - 1995 - Post

After Debut's success, the pressure was on Björk to surpass that album's creative, tantalizing electronic pop. She more than delivered with 1995's Post; from the menacing, industrial-tinged opener, "Army of Me," it's clear that this album is not simply Debut redux. The songs' production and arrangements -- especially those of the epic, modern fairy tale "Isobel" -- all aim for, and accomplish, more. Post also features Debut producer Nellee Hooper, 808 State's Graham Massey, Howie B, and Tricky, who help Björk incorporate a spectrum of electronic and orchestral styles into songs like "Hyperballad," which sounds like a love song penned by Aphex Twin. Meanwhile, the bristling beats on the volatile, sensual "Enjoy" and the fragile, weightless ballad "Possibly Maybe" nod to trip-hop without being overwhelmed by it. As on Debut, Björk finds new ways of expressing timeworn emotions like love, lust, and yearning in abstractly precise lyrics like "Since you went away/I'm wearing lipstick again/I suck my tongue in remembrance of you," from "Possibly Maybe." But Post's emotional peaks and valleys are more extreme than Debut's. "I Miss You"'s exuberance is so animated, it makes perfect sense that Ren & Stimpy's John Kricfalusi directed the song's video. Likewise, "It's Oh So Quiet" -- which eventually led to Björk's award-winning turn as Selma in Dancer in the Dark -- is so cartoonishly vibrant, it could have been arranged by Warner Bros. musical director Carl Stalling. Yet Björk sounds equally comfortable with an understated string section on "You've Been Flirting Again." "Headphones" ends the album on an experimental, hypnotic note, layering Björk's vocals over and over till they circle each other atop a bubbling, minimal beat. The work of a constantly changing artist, Post proves that as Björk moves toward more ambitious, complex music, she always surpasses herself.



1 Army of Me Bjork, Massey 3:54
2 Hyper-Ballad Bjork, Gudmundsdottir 5:21
3 The Modern Things Bjork, Massey 4:10
4 It's Oh So Quiet Lang, Reisfeld 3:38
5 Enjoy Bjork, Tricky 3:56
6 You've Been Flirting Again Bjork, Gudmundsdottir 2:29
7 Isobel Bjork, De Vries, Hooper, Sjón 5:47
8 Possibly Maybe Bjork 5:06
9 I Miss You B., Bjork 4:03
10 Cover Me Bjork, Gudmundsdottir 2:06
11 Headphones Bjork, Tricky 5:40

¡Aquí!

Cornershop - 1997 - When I Was Born For The 7th Time

When I Was Born for the 7th Time is a remarkable leap forward for Cornershop, the place where the group blends all of their diverse influences into a seamless whole. Cornershop uses Indian music as a foundation, finding its droning repetition similar to the trancier elements of electronica, the cut-and-paste collages of hip-hop, and the skeletal melodicism of indie pop. Tying all of these strands together, the band creates a multicultural music that is utterly modern; it is conscious of its heritage, but instead of being enslaved to tradition, it pushes into the future and finds a common ground between different cultures and musics. Like Woman's Gotta Have It, large portions of When I Was Born for the 7th Time are devoted to hypnotic instrumentals, but the music here is funkier and fully realized. Cornershop hits an appealing compromise between detailed arrangements and lo-fi technology. There may be cheap keyboards and drum machines scattered throughout the album, but they are used as sonic texturing, similar to the turntables, synthesizers, samplers, sitars, and guitars that drive the instrumentals punctuating the full-fledged songs. When it chooses, Cornershop can write hooky, immediate pop songs -- "Sleep on the Left Side" and "Brimful of Asha" are wonderful pop singles, and "Good to Be on the Road Back Home" is an impressive, country-tinged tale -- but what makes When I Was Born for the 7th Time such a rich, intoxicating listen is that it balances these melodic tendencies with deceptively complex arrangements, chants, drones, electronic instrumentals, and funky rhythms, resulting in an album that becomes better with each listen.

		1		Sleep on the Left Side	Singh	4:06
		2		Brimful of Asha	Singh	5:17
		3		Butter the Soul	Singh	3:19
		4		Chocolat	Singh	1:24
		5		We're in Yr Corner	Singh	5:47
		6		Funky Days Are Back Again	Singh	3:41
		7		What Is Happening?	Ayres, Singh	2:15
		8		When the Light Appears Boy	Ginsberg	2:41
Composed by: Ginsberg Performed by: Cornershop, Allen Ginsberg
		9		Coming Up	Singh	1:03
		10		Good Shit	Singh	4:40
		11		Good to Be on the Road Back Home	Singh	5:45
		12		It's Indian Tobacco My Friend	Singh	4:51
		13		Candy Man	Singh	3:49
		14		State Troopers, Pt. 1	Singh	3:07
		15		Norwegian Wood (This Bird Has Flown)	Lennon, McCartney	2:27

¡Aquí!

Björk - 1993 - Debut

Freed from the Sugarcubes' confines, Björk takes her voice and creativity to new heights on Debut, her first work after the group's breakup. With producer Nellee Hooper's help, she moves in an elegantly playful, dance-inspired direction, crafting highly individual, emotional electronic pop songs like the shivery, idealistic "One Day" and the bittersweet "Violently Happy." Despite the album's swift stylistic shifts, each of Debut's tracks are distinctively Björk. "Human Behaviour"'s dramatic percussion provides a perfect showcase for her wide-ranging voice; "Aeroplane" casts her as a yearning lover against a lush, exotica-inspired backdrop; and the spare, poignant "Anchor Song" uses just her voice and a brass section to capture the loneliness of the sea. Though Debut is just as arty as anything she recorded with the Sugarcubes, the album's club-oriented tracks provide an exciting contrast to the rest of the album's delicate atmosphere. Björk's playful energy ignites the dance-pop-like "Big Time Sensuality" and turns the genre on its head with "There's More to Life Than This." Recorded live at the Milk Bar Toilets, it captures the dancefloor's sweaty, claustrophobic groove, but her impish voice gives it an almost alien feel. But the album's romantic moments may be its most striking; "Venus as a Boy" fairly swoons with twinkly vibes and lush strings, and Björk's vocals and lyrics — "His wicked sense of humor/Suggests exciting sex" — are sweet and just the slightest bit naughty. With harpist Corky Hale, she completely reinvents "Like Someone in Love," making it one of her own ballads. Possibly her prettiest work, Björk's horizons expanded on her other releases, but the album still sounds fresh, which is even more impressive considering electronic music's whiplash-speed innovations. Debut not only announced Björk's remarkable talent; it suggested she had even more to offer.

		1		Human Behaviour	Bjork, Hooper	4:12
		2		Crying	Hooper	4:49
		3		Venus as a Boy	Bjork	4:41
		4		There's More to Life Than This	Bjork, Hooper	3:21
		5		Like Someone in Love	Burke, VanHeusen	4:33
		6		Big Time Sensuality	Bjork, Hooper	3:56
		7		One Day	Bjork	5:24
		8		Aeroplane	Bjork	3:54
		9		Come to Me	Bjork	4:55
		10		Violently Happy	Bjork, Hooper	4:58
		11		The Anchor Song	Bjork	3:32

¡Aquí!

Garbage

Garbage built on the sonic landscapes of My Bloody Valentine, Curve, and Sonic Youth, adding a distinct sense of accessible pop songcraft. Garbage was the brainchild of producers Butch Vig, Duke Erikson, and Steve Marker. Initially, Garbage was an informal jam session between the three producers held in Marker's basement, but they eventually recruited vocalist Shirley Manson, who had previously sang with Angelfish and Goodbye Mr. MacKenzie.

Vig is a native of Viroqua, WI, who learned to play piano as a child and drums as a teenager. He attended the University of Wisconsin briefly before pursuing a career in music instead. The first band he joined after leaving college was Spooner, who he played drums with. Also in Spooner was Erikson, who sang and played guitar with the band. Marker was a native of New York who moved to Wisconsin to attend college. He became a fan of Spooner and began recording their songs. Vig left Spooner shortly afterwards, but he kept in touch with the band. After a few years, Spooner became Firetown and Vig played drums in the new outfit.

Firetown broke up in the late '80s, without achieving much success. Prior to the formation of Firetown, Vig and Marker bought an eight-track cassette recorder together and set up a makeshift studio in a local warehouse. This studio was dubbed Smart Studios and Vig recorded numerous local punk and alternative bands at the warehouse. By the late '80s, Smart had become one of the hippest recording studios in America. Many records released on Touch & Go, Sub Pop, and Twin/Tone, among other indie labels, were made at Smart. Vig and Smart broke into the big time in 1991, after he produced Nirvana's Nevermind. Nevermind elevated Butch Vig to the status of a superstar producer and for the next two years, he produced numerous American alternative superstars, including Sonic Youth, Smashing Pumpkins, and L7.

Shortly after Vig became a star, he and Marker began playing together, eventually asking Erikson to join them. Hence, Garbage was officially formed in 1993, after Erikson joined the duo. After a year of playing, they hired Shirley Manson after seeing Angelfish on MTV. Manson began her musical career at an early age, joining Goodbye Mr. MacKenzie as a teenager; she played keyboards and sang backing vocals in the band. For the next few years, she toured with the band before leaving to form Angelfish, whom she led through an eponymous 1994 album.

Garbage recorded their debut album in late 1994 and early 1995. Their eponymous first album appeared in the fall of 1995 on Almo Sounds. After receiving support from radio and MTV, the album began to climb the charts toward the end of 1995, when the second single, "Queer," received heavy airplay. By the summer of 1996, Garbage had gone gold in the United States, and shortly afterward it achieved platinum status, as "Only Happy When It Rains" and "Stupid Girl" became radio hits.

After a brief break, Garbage began work on their second album in the summer of 1997. The record, entitled Version 2.0, was released in May the following year, preceded by the single "Push It." Four years later, they issued a sophisticated third album, Beautiful Garbage, and the first single "Androgyny" became a moderate radio hit. Bleed Like Me followed in 2005.

1995 - Garbage

Garbage - 1995 - Garbage

Garbage's self-titled debut has all the trappings of alternative rock -- off-kilter arrangements, occasional bursts of noise, a female singer with a thin, airy voice -- but it comes off as pop, thanks to the glossy production courtesy of drummer Butch Vig. Not only is the sound of the record slick and professional, but all the songs are well-crafted pop songs. Unfortunately, only a handful of the songs are memorable, but those that are -- "Vow" and "Queer," in particular -- are small, trashy alternative pop gems.

		1		Supervixen	Garbage	3:55
		2		Queer	Garbage	4:36
		3		Only Happy When It Rains	Garbage	3:56
		4		As Heaven Is Wide	Garbage	4:44
		5		Not My Idea	Garbage	3:41
		6		A Stroke of Luck	Garbage	4:44
		7		Vow	Garbage	4:30
		8		Stupid Girl	Erikson, Jones, Manson, Marker ...	4:18
Composed by: Erikson, Jones, Manson, Marker, Strummer, Vig
		9		Dog New Tricks	Garbage	3:56
		10		My Lover's Box	Garbage	3:55
		11		Fix Me Now	Garbage	4:43
		12		Milk	Garbage	3:53

¡Aquí!