Mostrando entradas con la etiqueta Rock 'n Roll. Mostrar todas las entradas
Mostrando entradas con la etiqueta Rock 'n Roll. Mostrar todas las entradas

miércoles, 8 de junio de 2011

Richard, Little - 1957 - Here's Little Richard

Little Richard had been making records for four years before he rolled into Cosimo Matassa's J&M Studio in New Orleans and cut the epochal "Tutti Frutti" in the fall of 1955, but everything else he'd done -- and much of what others had recorded -- faded into insignificance when Richard wailed "A wop bop a loo mop a lomp bomp bomp" and kicked off one of the first great wailers in rock history. In retrospect, Little Richard's style doesn't seem so strikingly innovative as captured in 1956's Here's Little Richard -- his boogie-woogie piano stylings weren't all that different from what Fats Domino has been laying down since 1949, and his band pumped out the New Orleans backbeat that would define the Crescent City's R&B for the next two decades, albeit with precision and plenty of groove. But what set Richard apart was his willingness to ramp up the tempos and turn the outrage meter up to ten; "Tutti Frutti," "Rip It Up" and "Jenny Jenny" still sound outrageous a half-century after they were waxed, and it's difficult but intriguing to imagine how people must have reacted to Little Richard at a time when African-American performers were expected to be polite and the notion of a gay man venturing out of the closet simply didn't exist (Richard's songs were thoroughly heterosexual on the surface, but the nudge and wink of "Tutti Frutti" and "Baby" is faint but visible, and his bop threads, mile-high process and eye makeup clearly categorized him as someone "different"). These 12 tunes may not represent the alpha and omega of Little Richard's best music, but every song is a classic and unlike many of his peers, time has refused to render this first album quaint -- Richard's grainy scream remains one of the great sounds in rock & roll history, and the thunder of his piano and the frantic wail of the band is still the glorious call of a Friday night with pay in the pocket and trouble in mind. Brilliant stuff.

1 Tutti Frutti LaBostrie, Little Richard, Lubin
2 True Fine Mama Little Richard, Penniman
3 Can't Believe You Wanna Leave Price
4 Ready Teddy Blackwell, Marascalco
5 Baby Little Richard
6 Slippin' and Slidin' Bocage, Collins, Little Richard…
7 Long Tall Sally Blackwell, Johnson, Little Richard…
8 Miss Ann Johnson, Little Richard
9 Oh Why? Scott
10 Rip It Up Blackwell, Marascalco
11 Jenny, Jenny Johnson, Little Richard
12 She's Got It Little Richard, Marascalco

¡Aquí!

domingo, 29 de mayo de 2011

VA - 2000 - Stoned Immaculate: The Music Of The Doors

Essentially Elektra Records' tribute to a band that originally helped put them on the map, Stoned Immaculate: The Music of the Doors was assembled by producer Ralph Sall, with a heavy concentration on mainstream-oriented alternative rock. While some tracks are the straight-up covers typical of tribute albums, die-hard Doors fans have greater reasons to pay attention. The surviving band members appear on several tracks -- sometimes as a backing unit, sometimes as individual guest collaborators -- with frequently vital-sounding results. Echoing the Fatboy Slim "Bird of Prey" single (coincidence that this was released around the same time?), producer Sall also incorporates sampled Morrison vocals, usually over atmospheric, electronic-tinged backing tracks; this tactic also produces beyond-the-grave Morrison duets with John Lee Hooker and William S. Burroughs. However -- perhaps logically -- it's the band performances that have the most life to them, especially those involving the Stone Temple Pilots and Ian Astbury. Even though Stoned Immaculate occasionally suffers from typical tribute-album unevenness, it's overall a fitting testament to the Doors' legacy.

1 Break on Through (To the Other Side) Stone Temple Pilots 3:47
2 Riders on the Storm Creed 6:18
3 Light My Fire Train 3:43
4 Peace Frog Smash Mouth 3:02
5 L.A. Woman Days of the New 3:47
6 Love Me Two Times Aerosmith 3:20
7 Under Waterfall Doors 3:12
8 Wild Child Cult 3:22
9 Roadhouse Rap Morrison 1:03
10 Rock House Blues Hooker, Morrison 5:34
11 Is Everybody In? Burroughs 2:43
12 Hello I Love You Oleander 2:36
13 Touch Me Astbury, Cult 4:38
14 Children of Night Cervenka, Farrell 3:02
15 Love Her Madly Diddley 4:54
16 The Cosmic Movie Doors 3:03
17 The End Days Of The New 16:04

¡Aquí!