Mostrando entradas con la etiqueta Blues-Rock. Mostrar todas las entradas
Mostrando entradas con la etiqueta Blues-Rock. Mostrar todas las entradas

domingo, 8 de noviembre de 2009

King, Chris Thomas - 2000 - Me, My Guitar And The Blues

On Me, My Guitar and the Blues, Chris Thomas King ventures out into eclectic musical territories. King sings and plays all the instruments on his first disc for the Blind Pig label. Recorded in New Orleans, this release retains some of those Crescent City funk influences while "Superstitious Blues," "Gambling Woman," and Robert Johnsons' "Stones in My Passway" are gritty acoustic delta blues. However, the majority of this release finds King reaching for a broader more popular approach that will likely turn off blues purists. "Born Under a Bad Sign" injects hip-hop into this blues classic, "You Are My Heaven" is comparable to the soul sound of Robert Cray, while the synth laden "Stay Just As You Are" would be the obvious pick for crossover radio play specifically going after a more mainstream pop audience.


¡Aquí!

sábado, 7 de noviembre de 2009

Joplin, Janis - 1980 - Anthology (2CD)

Anthology is an adequate double-disc retrospective of Janis Joplin's years with Big Brother & the Holding Company and her solo career, containing most of her best-known songs and a selection of forgotten gems. It's a fine set, but the single-disc Greatest Hits is better suited for casual fans, and the box set Janis serves the needs of collectors much better than this, so the 1997 reissue of this double album is a little puzzling and unnecessary, even if it is an enjoyable listen.


¡Aquí!

jueves, 17 de septiembre de 2009

Yardbirds - 1966 - Roger The Engineer

Once Jeff Beck joined the Yardbirds, the group began to explore uncharted territory, expanding their blues-rock into wild sonic permutations of psychedelia, Indian music, and avant-garde white noise. Each subsequent single displayed a new direction, one that expanded on the ideas of the previous single, so it would seem that Roger the Engineer -- Beck's first full album with the group and the band's first album of all-original material -- would have offered them the opportunity to fully explore their adventurous inclinations. Despite a handful of brilliant moments, Roger the Engineer falls short of expectations, partially because the band is reluctant to leave their blues roots behind and partially because they simply can't write a consistent set of songs. At their best on Roger, the Yardbirds strike a kinetic balance of blues-rock form and explosive psychedelia ("Lost Woman," "Over, Under Sideways, Down," "The Nazz Are Blue," "He's Always There," "Psycho Daisies"), but they can also bog down in silly Eastern drones (although "Happenings Ten Years Time Ago" is a classic piece of menacing psychedelia) or blues tradition ("Jeff's Boogie" is a pointless guitar workout that doesn't even showcase Beck at his most imaginative). The result is an unfocused record that careens between the great and the merely adequate, but the Yardbirds always had a problem with consistency -- none of their early albums had the impact of the singles, and Roger the Engineer suffers from the same problem. Nevertheless, it is the Yardbirds' best individual studio album, offering some of their very best psychedelia, even if it doesn't rank among the great albums of its era.


¡Aquí!