Mostrando entradas con la etiqueta Fabulosos Cadillacs. Mostrar todas las entradas
Mostrando entradas con la etiqueta Fabulosos Cadillacs. Mostrar todas las entradas

martes, 7 de julio de 2009

Fabulosos Cadillacs

The internationally renowned and versatile Argentine band Los Fabulosos Cadillacs have been thrilling audiences with their eclectic mixture of rock, rap, ska, reggae, and traditional South American sounds for over ten years. The nine piece band began in 1985 and chose the name Los Fabulosos Cadillacs only because they thought it sounded good. Then as with now, the band is run democratically and there is no one leader; they play whatever style most appeals to them at the moment and each of their ten albums is different from the last. In 1995, they recorded the album Rey Azucar for S.D.I./Sony and featured guest appearances from Debbie Harry and from Mick Jones, the ex-guitarist from the Clash. According to the band members, working with Jones was a dream come true. One of their biggest commercial hits in South America is "Matador" which, with it's uptempo samba-reggae inspired beat, appeared as a bonus track on their 1995 greatest hits album Vasos Vacíos. The Cadillacs have extensively toured Latin America and in 1995, appeared in Anaheim, CA, where they knocked 'em dead with their lively performance. Though the band was in a slump during the early '90s, their greatest hits album revitalized their career. Marcha del Golazo Solitario followed in 1999 and two live albums, Hola and Chau, were issued in early 2001. The band officially called in quits a year later in 2002 only to reunite following the death of percussionist Gerado Toto Rotblat in 2008, releasing a new album, Luz del Ritmo, that same year.

2001 - Hola

Fabulosos Cadillacs - 2001 - Hola

Part of a two-CD set (alongside Chau) recorded in concert in Argentina, Hola, the first live album from los Fabulosos Cadillacs, stakes the band's claim as one of the finest live acts anywhere. For one thing, the set list is superbly chosen. Rather than relying on the most recent album the band was touring to support (La Marcha de Golazo Solitario), the set list reaches all the way back to their first album, Bares y Fondas, and picks many classic tracks from all the albums in between (although it's hard to tell how much of this is due to the fact that La Marcha de Golazo Solitario is a softer, more introspective album that may not translate well on-stage). Some tracks already were tailor-made for a live audience and are predictably superlative (such as "El Satanico Dr. Cadillac" and "Mal Bicho"), but others reveal added power in concert. "Calaveras y Diablitos," already first-rate, becomes downright sublime when accompanied by an audience, while "Yo Quiero Morirme Aca," which sounded thin and tentative in its original studio version, becomes muscular and fierce on-stage. It's not quite the same as actually being there (and it's inconceivable to get Hola without its companion piece, Chau), but Hola is one of los Fabulosos Cadillacs' most vital recordings.


¡Aquí!